2000-02-12 19:28:42 +08:00
|
|
|
Print plugin for the Gimp. Version 3.0.6 by Robert Krawitz
|
1999-12-17 03:44:02 +08:00
|
|
|
<rlk@alum.mit.edu> based on version 2.0 by Michael Sweet
|
|
|
|
<mike@easysw.com>.
|
|
|
|
|
|
|
|
This version has numerous enhancements:
|
|
|
|
|
|
|
|
1) Full support for the Epson Stylus Photo, Photo 700, and Photo EX
|
|
|
|
printers, including 6-color printing, 1440x720 dpi resolution, and
|
|
|
|
"soft" weave for much faster high quality printing.
|
|
|
|
|
|
|
|
2) Many new controls, including:
|
|
|
|
|
|
|
|
* Output gamma adjustment
|
|
|
|
* Contrast
|
|
|
|
* Red/green/blue levels
|
|
|
|
* Saturation
|
|
|
|
* Density
|
|
|
|
* Additional scaling options
|
|
|
|
|
|
|
|
3) Improved tonal resolution. Calculations are now done in 16 bit
|
|
|
|
rather than 8 bit resolution, which eliminates stair stepping.
|
|
|
|
Input levels do not map one to one onto output levels, so in 8 bit
|
|
|
|
output resolution multiple input levels will map to a single output
|
|
|
|
level. Usually the density range is compressed in the light end of
|
|
|
|
the tonal range, so many different input levels will map to one
|
|
|
|
output level. Use of 16 bit output resolution avoids this
|
|
|
|
undesirable behavior and results in smooth tonal gradations in
|
|
|
|
highlights.
|
|
|
|
|
|
|
|
4) Saving of all settings between print jobs.
|
|
|
|
|
|
|
|
|
|
|
|
This plugin has been optimized for the Epson Stylus Photo EX, since
|
|
|
|
that's the printer I own. I am interested in comments on performance
|
|
|
|
both with Epson Stylus printers and with others.
|
|
|
|
|
|
|
|
Some tips on tuning the output:
|
|
|
|
|
|
|
|
* Start with the default settings
|
|
|
|
|
|
|
|
* Brightness and density are not the same thing. Density is a purely
|
|
|
|
linear adjustment; more density means more ink. Brightness affects
|
|
|
|
perceived brightness.
|
|
|
|
|
|
|
|
* Higher gamma values result in brighter images with compressed
|
|
|
|
highlights. Lower gamma values are darker, but with better tonal
|
|
|
|
range in the highlights.
|
|
|
|
|
|
|
|
* Different brands of ink yield different results. I've found that
|
|
|
|
third party inks on Epson printers are generally too cyan. The
|
|
|
|
correction for excessive cyan is to add red (or reduce blue and
|
|
|
|
green).
|
|
|
|
|
|
|
|
* I've found that what creates good test patterns does not necessarily
|
|
|
|
create good photographs. In particular, test patterns often print
|
|
|
|
well with gamma of .6 or thereabouts, but that gives washed out
|
|
|
|
photographs. Perhaps when I implement a better contrast control
|
|
|
|
this can be improved.
|
|
|
|
|
|
|
|
* The contrast control scales polynomially around the midpoint of the
|
|
|
|
range. Lower contrast will reduce the contrast in the midtones, but
|
|
|
|
increase the contrast in the highlights and shadows. Contrariwise,
|
|
|
|
a high contrast value will stretch the scale in midtones,
|
|
|
|
compressing the highlights and shadows.
|
|
|
|
|
|
|
|
* There are many combinations of brightness, gamma, and density that
|
|
|
|
will create acceptable images. You may find that you want different
|
|
|
|
settings for different images.
|
|
|
|
|
|
|
|
* One group of settings you might want to start with is:
|
|
|
|
|
2000-01-27 00:00:48 +08:00
|
|
|
Brightness 45
|
|
|
|
Gamma 1.5
|
|
|
|
Contrast 105
|
|
|
|
Saturation 1.4
|
|
|
|
Density 0.8
|
1999-12-17 03:44:02 +08:00
|
|
|
|
|
|
|
|
|
|
|
Makefile.standalone enables you to build this plugin as a standalone
|
|
|
|
plugin, without reference to a Gimp source tree.
|
|
|
|
|
|
|
|
|
|
|
|
Enjoy!
|
|
|
|
|
2000-01-27 00:00:48 +08:00
|
|
|
-Robert Krawitz, January 13, 2000
|